| 
    I. Introduction
 
     he problems of traditional teacher-centered translation classrooms are noted and discussed (Király, 1995, 2000; Lai, 2002; Liao, 2007) in which the
    translation instructor explains concepts and skills, and then gives assignments. After that, the instructor points out students' deviation from the ideal
    translation, and expects them not to make same errors in the future. Such a translation classroom greatly relies on linguistics and thus is ruled by
    grammatical aspects of translation (Király, 1995: 8). In this way, the students' interest and confidence in translation are gradually discouraged and
    they often hesitate to bring up creative versions in order not to be singled out in the classroom. Also, the traditional instructor-dominated approach,
    mainly focusing on equivalence in translation, ignores other factors that make each translated version unique, such as the translators' idiolect, stylistic
    preference, or attention to the target language. Therefore, actively participating in translation training seems to be impossible for translation trainees.
    Nonetheless, it is believed that translation training at the university level shall give priority to building up responsibility and independence, which is
    the foundation of professional translation (Gabrian, 1986: 54, cited in Király, 1995: 9). Therefore, in the new translation pedagogy proposed by
    Király (1995) the emphasis shifts from teacher-centered to student-centered methods, and the main task of the instructor is to show various
    translation paths and to encourage students to be independent. In this way, students gradually become able to translate responsibly in professional
    situations (Holz-Mänttäri, 1984: 80, cited in Király, 1995: 21). On the other hand, the text type of travel guides is incorporated into
    translation studies based on its scope and intercultural communicative function. Reiss (1981: 129, cited in Munday, 2008: 72) regards travel guides
    advertising the source culture as operative texts which are "adaptive" in that they are to be tailored to the needs and conventions of the receptors in the
    receiving culture. In this study, the instructor-researcher attempts to apply the collaborative learning approach in the translation classroom for students to complete the
    assignment of translating a travel guide as a case study. The purpose of this study is to see if the use of collaborative learning approach could improve
    students' responsibility and independence from the instructor. In addition, from the text analysis of students' assignments, we can find out whether
    collaboration can further help in their translation in terms of translating a travel guide, so that the students can apply adaptive translation to such a
    text type. More specifically, the study attempts to address the following two research questions:
 
    
        In what way and to what extent does collaborative learning approach help improve translation quality?
    
        How does the collaborative learning approach improve students' performance in achieving the desired effect in the target text of a travel guide?
        
 
 
    I. 
    Literature Review
    
 
    
        Collaborative Learning
    
 
     Collaborative learning refers to activities that are learned and carried out by pairs or small interactive groups. Different from cooperative learning
    which is still led by the instructor, collaborative learning means two or more students working together, sharing the workload, and at the same time
    achieving the intended learning outcomes (Barkley, Cross, and Major, 2005: 5). Generally speaking, some features of collaborative learning are regarded as
    essential. The first feature of collaborative learning is intentional design, in which instructors have to structure intentional learning activities for
    students. Collaboration is another important feature. That is, all participants of the groups need to engage actively toward the objectives set. However,
    equitable engagement of all participants is not enough. Meaningful learning, the third feature of collaborative learning, must take place in which students
    must increase their knowledge and understanding during the process and the intentional instructional goals of the task must be achieved.| The instructor may need to lead students to analyze complicated sentences before giving the assignment in order to prevent any safe translation versions. | 
 
    Research on whether collaborative learning promotes and improves learning has been extensive and fruitful. Astin's study (1993: 427) reports that by using
    the approach the outcomes are better than those produced by traditional competitive approaches, which means collaborative learning could be more
    instrumental than traditional pedagogy, since it motivates students to be more engaged in the learning process. Recently the approach has been widely
    applied in technology-enhanced or web-based classrooms, such as Zhao & Kanji (2001), Daradoumis, Caballé, Juan and Xhafa (2011), Roberts (2005),
    or Rubens, Emans, Leinonen, Skarmeta and Simons (2005), to name just a few. These researchers mostly report that the use of collaborative learning method
    can stimulate the acquisition of different skills in learning, enhance interpersonal communication, and improve performance.
 
    In translation teaching, Király (1995, 2000) was the first to propose a social-constructivist approach for collaboration, calling for an evolution
    from teacher-oriented classrooms to teaching-oriented ones. In this way, he attempts to turn the passive and individual-centered student into an active
    translator with multi-perspectives. Furthermore, a collaborative teaching environment can promote students' interaction and active participation during the
    process (Király et al, 2003: 51). In addition, Romney (1996, 1997) also finds that collaborative learning can be beneficial in translation courses.
    She further divides the advantages into three levels. On a personal level, students are more willing to share their difficulties with others and feel less
    stressful when speaking in front of familiar group members. On a social level, students become tolerant of different opinions, and sometimes they even have
    to compromise. Lastly, the approach improves their performance through discussion on an academic level.
 
    In additrion to the benefits of the collaborative method, some translation instructors have noted some disadvantages by means of questionnaires. In her
    study, Shi (2000) finds that some students were not fully engaged in group discussions and regarded the approach as ineffective. Moreover, Lai (2002)
    reports from a translation practicum in which students were divided into five groups that large numbers of students could be problematic in running the
    approach effectively. Also, she points out that the low proficiency of students in the target language led to extra difficulties for members in the same
    group. Conducting a study on a book translation project, Yeh (2011) notes that some students could not understand the meaning in some collaborative
    learning activities and hence regarded them as unhelpful. Also, it seems certain that certain students may dominate the discussion, which happened mostly
    outside the class time. In addition, most students, though benefiting from collaborative learning, still need the instructor's feedback from time to time.
    Similarly, Barros (2011) suggests that the role of teachers is still indispensable in terms of providing support and follow-up activities in order to help
    students work collaboratively.
 
    The above studies show that there are advantages and disadvantages in applying collaborative learning in translation classrooms. They have also illustrated
    that students mostly have positive attitudes towards the approach. However, it seems that so far there is not much empirical study indicating whether
    collaborative learning indeed improves students' performance in translation in terms of quality. The study, therefore, intends to examine students'
    translation of a travel guide to see in what way and to what extent the approach can contribute to students' performance to achieve the aim of tailoring
    the original text to the needs of its receivers.
 
    
        II. Translating Travel Guides
 
    According to Reiss' categorization (1977/89: 108-109, in Munday, 2001: 73), the text type of travel guides can be classified as "operative" having the aim
    of appealing or persuading its receivers to perform certain acts. Hence its language use shall be dialogic in order to "induce behavioral responses."
    Translating travel guides in this way serves to arouse the target readers' interest in the source culture prompting them to visit the place in person.
    According to Reiss (ibid: 75), the reproduction of the predominant function of the ST will influence how the TT is judged and therefore she proposes
    specific translation methods based on different text types. In her opinion, the TT of an operative text should focus on eliciting the longing response from
    the receivers, and translators shall use the adaptive method to create the same effect produced by the source text. On the other hand, applying "dominant
    contextual focus" to determine different text types, Hatim and Mason (1990: 156) locate the text type of advertisement, including travel guides, in the
    group of instructional texts with the dominant focus on provoking a response or behavior in the receiving culture. Nord (1997: 50) further distinguishes
    three different functions for translating instrumental texts, such as tourist information texts, to illustrate that the function of the source text may not
    be the same as that of the target text. She also points out that translating advertisements should serve an equifunctional role to that of the source
    culture and it shall correspond to Reiss' communicative translation, where readers do not notice they are reading a translation.
 
    In translation studies, some researchers propose strategies of translating advertisements based on qualitative analysis. Placing a focus on consumers'
    psychology, outlook, and "popular taste" as important factors to be successful in translating advertisements, Ho (2004) argues for an "intentional
    betrayal" strategy as an effective and convincing approach. Furthermore, Jettmarova, Piotrowska, and Zauberberga (1995) believe that adaptation is regarded
    as a prerequisite of effective translation and that the success of the translation depends greatly upon the translator's understanding of the "adaptive"
    nature in translating advertisements, which suggests how target readers are assumed to respond to the text. Similarly, Smith and Klein-Braley (1995) point
    out five strategies for translating advertisements. Nonetheless, the major problem for training translators when encountering such texts can be the their
    unwillingness to leave the safe haven of a "straight translation" and to apply a less literal strategy. In their opinion, such a translation can be
    unsuitable as it fails to consider the receivers' need in the target culture. In addition, such a translation definitely enjoys low prestige in the
    receiving culture and leads to a prevailing impression that native speakers' translation is more satisfying. When it comes to the translation quality of
    native speakers, Wang (2009) finds that native speakers of English have good linguistic quality in translation, while making more semantic errors. Website
    translation produced by Chinese, on the other hand, is prone to grammatical errors and Chinglish. Lastly, Dybiec (2008) suggests that more attention be
    paid to culture-specific terms while translating tourists' guidebooks, since the translation is full of cultural elements, which help to build cultural
    identities through linguistic use.
 
    
 III. Methodology
 
    In this study, we will examine translation strategies students' apply when they deal with a travel guide. Recent research on translation strategies brings
    about sets of taxonomies for translators' use during the process (Baker, 1992: 26-42; Fawcett, 1997: 27-52; Lörscher, 1992). For example, when it
    comes to equivalence at the word level in translation, Baker (1992: 26-42) proposes several translation strategies used by professional translators as
    superordinate, more neutral/less expressive words, cultural substitution, loan words, paraphrasing, omission, and illustration while translation strategies
    used to achieve equivalence beyond word level such as idioms include using terms of similar meanings and similar/different forms, paraphrasing, and
    omission (ibid: 71-78). In addition, Fawcett (1997) devotes a whole chapter in his book to translation techniques and separates them by viewpoints from
    Russia, Canada, and America. Among these three sets of translation techniques, we are familiar with those deriving from Viney and Darbelnet's taxonomies
    (1958, cited in Fawcett, 1997: 34) such as borrowing, calque, literal translation, transposition, modulation, equivalence, and adaptation. Some of the
    elements in these two systems are similar with different names and thus it can be confusing if introduced at the same time to students. Based on a
    think-aloud data corpus, Lörscher (1992) found translation strategies such as realizing and verbalizing a translational problem, monitoring and
    rephrasing SL or TL text segments, rephrasing TL text segments, mental organizing SL or TL text segments, and others.
 
    It is hoped that students working within a group can feel more comfortable and be motivated to complete the assignment according to literature reviewed
    above. Also we hypothesize that the translation strategies used by a student group can be more diverse than those completing the assignment individually.
    Hence we tend to investigate and compare students' assignments conducted by teamwork and those finished individually to see if more and different
    translation strategies appear in students' group work. At the same time we will discuss if group works achieve better effect of translating a travel guide
    and serve an equifunctional role to that of the source text (Nord, 1997: 50).
 
    IV. Participants
 
    The participants chosen for this study are 32 juniors taking the course "Professional Translation," majoring in Applied Linguistics and Language Study at a
    university in Northern Taiwan. Since the course is given in the second year of the T & I program offered by the department, it is expected that they
    have already had one-year experience in translation practice and interpretation training. In other words, these participants should be familiar with basic
    concept and principles in translation and interpreting when this study begins. While taking this course of "Professional Translation," certain students
    interested in completing the T & I program can take "News Trans-editing," and "Consecutive Interpretation," as elective courses at the same time.
 
    
        V. Data Analysis and discussion
 
    In order to successfully integrate the collaborative learning approach into the translation classroom, the instructor-researcher performed a series of
    preparatory activities to familiarize the students with concepts of translating travel guides. As intentional design, the first feature of collaborative
    learning and the foundation of the collaborative learning process, instructors shall structure careful and deliberate learning activities in order to reach
    the goal of the course design and at the same time enhance students' collaborative learning (Barkley et al, 2005). Before distributing the assignment, the
    instructor-researcher firstly made the students do the text analysis of the source text by giving students some time to discuss the function of the source
    text, the possible source readers, the corresponding function of the target text, and target readers with their group members. Then the instructor joined
    their discussion to devise any suitable strategies they could use in translation. Later the instructor used real examples to show the students the
    potential strategies for translating travel guides. In this way, students can have a better and broad view of the translation assignment in a structured
    way, which corresponds to the concept of collaborative learning. Furthermore, students may have an understanding of the potential strategies they can call
    on during the translation process in order to reach the goal of completing the assignment and at the same time achieve the function that their translation
    should provide as a travel guide.
 
    After the preparatory activities, students were given the assignment to be completed by a deadline. In the following analysis, we will look at the
    translation strategies in the assignments done by groups or individual student to see to what extent and in what way the collaborative learning approach is
    put into use from a qualitative perspective. In the following we will first discuss students' use of terms and then of sentences. It is important to note
    that in the source text there are many trendy words and terms as it introduces night clubs in New York and hence it would be interesting to see how
    students in Taiwan translate the original in order to make the American culture understood by their target readers. The original text can be accessed at
the following website with a title: Behind the Velvet Ropes (    http://visitnewyorkguide.pagician.com/VNY/artsnightlife/).
 
    Example 1:
 
    In this text example, the phrase "[b]ehind the velvet ropes," is chosen to be discussed. Not only is this phrase the tile of the travel guide, but the term
    "the velvet ropes" in the phrase requires discussion in the language transfer since there is no exact corresponding term in Chinese as it means the rope
    holding back fans while a celebrity is present. Hence we expect that students' group work can bring more diversity and creativity as they choose to gather
    and discuss the assignment together rather than translate alone. For the following Chinese versions from four groups, we can see Group 1 tried to evade the
    source term "the velvet ropes" in their translation, while the other three did translate the term. In this way Group 1 applied the omission strategy, but
    to some extent the image of waiting behind the velvet ropes was lost in this version. Furthermore, it seems the group found no correspondence in the target
    language so that it applied a compensatory strategy by adding another phrase to further explain the whole text was about. On the other hand, other three
    versions more or less translated the title with a creative term which is not well- known. These versions show that students collaborated to find a
    suitable, though not well-known term in their assignment.
    
 
 
    l G1: 花花世界後的秘密─紐約夜生活
 
    l G2: 天鵝絨繩的背後
 
    l G3: 紐約夜生活─等待線之外
 
    l G4: 紐約夜生活:穿越紅龍,尋歡作樂
 
    For the following ten versions done by students individually, we can see five versions omitting the source term "the velvet ropes," in their translation
    while in the remaining five versions the target term in four versions is evidently provided by the English-Chinese dictionaries or electronic dictionaries.
    In other words, it could be possible that students had no one to discuss with, since they had to finish the assignment alone so they turned to their
    dictionaries for help. Nonetheless, it is very possible that failing to find any correspondence in the dictionaries, these students made up a term on their
    own, which is in some way hard to understand, especially for first-time New York visitors. In this way, although these four versions finally came up with a
    term for "the velvet rope," yet they did not achieve the function the target text should give as a travel guide. On the other hand, there are two versions
    omitting the term and applying the compensatory strategy as discussed above and three versions from S1, S2, and S3, are not corresponding to the original
    and it can be assumed that students working on the assignment alone may have misunderstood the original or misrepresented the original.
 
 
 
    l S1: 門後的花花世界
 
    l S2: 入場要求的真相
 
    l S3: 夜店門後的絢麗世界
 
    l S4: 紐約夜生活─華麗的冒險
 
    l S5: 紐約夜生活─通吃大小夜店的秘密
 
    l S6: 在絲絨背後的秘密
 
    l S7: 等待線後頭的學問
 
    l S8: 紐約的夜生活:在天鵝絨繩後
 
    l S9: 在天鵝絨線後方的紐約夜生活
 
    l S10:天鵝絨繩的背後
 
    Example 
    2
    :
 
    Next we are going to examine the sentence "the sky is the limit," within the sentence, "[f]or women, the sky is the limit, so get as glam as you can." The
    original is within the context of teaching boys and girls how to take care of their clothing when going clubbing in New York. The source uses this sentence
    to indicate that girls should just make themselves as attractive as possible as the sentence means there is no limit at all. Let us read how students
    working in groups translated this sentence in the following. They somehow attempted to turn the negative "limit" in the source text to a positive meaning
    in Chinese. We can see only G3 following the original closely. The other three versions showed their creativity which could possibly come from the
    brainstorming within the group. In addition, these three versions at the same time suggest that these three groups of students must have understood the
    context so well that their creativity was inspired during the process which could also be regarded as a successful example of collaborating learning. In
    addition, such creativity does serve an equifunctional role to that of the source culture (Nord, 1997: 50).
    
 
 
    l G1: 愛怎麼穿就怎麼穿
 
    l G2: 美麗是不可限量的
 
    l G3: 並沒有任何限制
 
    l G4: 有很大的發揮空間
 
    
        For the ten versions submitted by individual students, it is evident that they applied different strategies to tackle this sentence, but such diversity
    nonetheless showed that they had insufficient understanding of the original or failing to find corresponding terms in the target language. First two
    students chose to omit the sentence. Possibly due to the same reasons, Student 3's version followed the source literally for which target readers may need
    to think twice before totally understanding this version. In other words, student 3's version reads like a translation, which means it is not a good
    advertisement translation. For versions from 4 to 7, they all followed the original, though not literally, failing to tailor the source to the needs of
    their receivers in Taiwan. It seems that students finishing their assignment alone did not show much creativity potentially because they had no one to
    discuss with. We could even find a version suggesting the student's total misunderstanding of the original in the 8th version. Only the last two
    of the ten versions were rather creative.
 
 
 
    l S1: X
 
    l S2: X
 
    l S3: 天空才是你的極限
 
    l S4: 是沒有什麼限制的
 
    l S5: 就沒甚麼限制
 
    l S6: 穿著並沒有很多限制
 
    l S7: 服裝是沒有設限的
 
    l S8: 讓客人們有一點摸不著頭緒
 
    l S9: 有較多的發展空間
 
    l S10: 美麗是不可限量的
 
    Example 
    3
    :
 
In this example, we are looking at the underlined part in this sentence, "[b]ouncers don't really care who you are, and    demanding to get in is the best way to ensure that you don't," This part is a bit challenging for students to understand if they paid less attention
    to the sentence structure. Let us examine the group translations first. From the four versions, two deviate from the original. Group 1 seemed to
    misunderstand the original, so that their version reads very confusing, while Group 2 and 3 skipped the original meaning and tried to use the compensation
    strategy to explain the concept for their readers. It is possible that students in Group 3 did not get a clear picture of the original so they created
    their own sentence on the one hand corresponding to the context where the sentence is located, and on the other hand attempted to give a "safe" version. In
    this way, the target readers have no way to know that their translation is actually different from the original. The second version, however, can be deemed
    as a creative interpretation by the students as this version makes sense in the context and uses idioms that target readers are familiar with. Finally, the
    last version omitted the original without adding anything, which shows that this group had trouble understanding this sentence although they had spent some
    time together for the discussion.
    
 
 
n G1: 門衛才不在乎你是誰,    而強求進場是確保你不在乎的最好方法。
 
n G2: 夜店的安管通常都不會管你的身分地位,    佯裝大牌執意要進入反而自曝其短。
 
    n G3: 夜店保鑣根本不在乎也不知道你是誰,
    
        所以只要表現得正常,不多嘴、不抱怨,就不會受到刁難
    
    。
 
    n G4: 夜店安管不會管你是誰
 
    For the following ten versions, we find the first version was just the opposite of the original, which suggests that the student totally misunderstood the
    original. Also the second version, same as the version provided by G1 in the above discussion, is rather confusing. For versions 2 to 6, the strategies are
    the same as discussed above for version 3. In this way there seems to be a tendency that students may try to give a "safe" version in the context in order
    to give the impression that they understood the original. Nonetheless, their versions were hard to comprehend for target readers which failed to achieve
    the purpose of translating a travel guide. Lastly, only the last two versions reproduced the meanings of the original, suggesting that only two students
    fully understood the original sentence structure.
 
 
 
n S1: 安管根本不管你是哪根蔥,    所以堅決要入場是最好的辦法。
 
n S2: 門衛才不在乎你是誰,    而強求進場是確保你不在乎的最好方法。
 
    n S3: 夜店的保鏢不會在乎你是誰
    
        且會要求你到夜店時是最好的方法來確認你沒有在吹牛
    
    。
 
    n S4: 保鑣通常不會管你是誰,
    
        他們會要求你以最好的方式到來且確保你不會大放厥詞
    
    。
 
    n S5: 保鑣其實並不在乎你的身分,
    
        而你想進夜總會的最好方法則是確保自己不會說錯
    
    話。
 
    n S6: 保鑣並不真的在乎你是什麼身分,
    
        要想進入夜店的最佳方式是保證你不會惹事。
    
 
    n S7:
如果你一直嚷嚷著要進去,這些彪形大漢才不管你是誰,    儘管拒你於門外。
 
    n S8: 入口的管理者其實並不在乎你是誰,
    
        而且你越是篤定你進得去,失敗的機率就是越高。
    
 
n S9: 夜店保鑣其實不會在意你的身分,而頂撞保鑣只會減少他們讓你進場的可能    性。
 
    n S10: 保鑣並不會在意你是誰,
    
        所以態度強硬地要求入場並不會讓你如願以償
    
    。
    
 
 
    V. 
    Conclusion
 
    1. Summary of the results
 
    The study sets out to investigate if collaborative learning can help translation quality and assist students to adapt the source, tailoring it for target
    readers. With an intention to turn a teacher-centered translation classroom into a student-centered one, the instructor-researcher expects that a sense of
    independence and responsibility can be developed through students' collaborative learning. At the same time, it is also hoped that students can feel less
    stressful while discussing with their group members so as to complete the assignment with high quality. By conducting clearly structured preparatory
    activities before the assignment, the instructor-researcher hopes that students had a broader view of the assignment and these preparatory steps can be
    further served as supplementary materials for background knowledge in terms of translating the travel guide. During the process, the students learned about
    the source and target readers, strategies, and most importantly, about this travel guide as a text type to be adapted. It is important to note that in
    order to ensure students' learning of the meaning(Barkley et al, 2005) during the collaboration, the instructor-researcher later asked the whole class to
    discuss different versions of the original and to vote for the best version of the travel guide.
 
    For the text analysis, we investigated translations performed by student groups and others completed individually. Looked at the strategies students may
    have called on during the translation process so that we ccould discuss in what way and to what extent collaborative learning assisted students in their
    assignments. We can thus summarize some important findings from the text analysis. First, collaborative learning is more effective and inspires students'
    creativity when it comes to terms or phrases they are not familiar with as shown in the case of "velvet ropes," for which no exact corresponding term
    exists in Chinese. In addition, it is assumed that unsatisfactory versions submitted by students working alone resulted from the fact that these students
    had no one to discuss with. It turned out that they had to rely on their paper or electronic dictionaries, but most of the time they failed to find a
    proper term and ended up choosing the term very close to the original. In this way their versions are prone to confuse target readers and the purpose of
    translating a travel guide is lost. Second, there seems to be a tendency that students, whether working in groups or on their own, attempted giving a
    "safe" version when they found themselves having difficulties in understanding the original. Hence, they tried to interpret the original in their own ways
    based on the context. Though their texts make sense, yet they may not provide the correct information for target readers, i.e., people who would like to
    visit night clubs in New York. Therefore their translations failed to serve an equifunctional role to that of the source text (Nord, 1997: 50). Lastly, it
    has been found that collaborative learning can to some extent enhance students' translation quality even when they confront difficult sentences as
    suggested in example 3. Also the unique interpretation of the original and the use of idioms that target readers are familiar with greatly tailored the
    original for the need of target readers.
 
    2. 
    The implications of this study
 
    Based on the findings of this study, collaborative learning can to some extent improve students' translation performance and thus it can be integrated into
    translation classrooms to replace the teacher-centered approach. Although the use of collaborative learning can enhance students' translation quality,
    especially when creativity is required, certain implications in designing the curriculum can be drawn from this study. First of all, while students were
    guided step by step from a series of preparatory activities before their assignment, and they were able to finish the assignment on their own independently
    of any assistance from the instructor, it seems the role of the instructor is still indispensable during the learning process, which is pointed out by Yeh
    (2011). In other words, students at this stage still need their instructor's constant guidance or feedback so that they do not "get lost" during the
    learning process. Hence the instructors may need to join their discussion from time to time and provide support or design more follow-up activities as
    suggested by Barros (2011). Secondly, the instructor may need to lead students to analyze complicated sentences before giving the assignment in order to
    prevent any "safe" translation versions. Also, students should be required to reinforce their proficiency in translation, as we find there are quite a few
    cases suggesting students' misunderstanding or insufficient understanding of the original.
 
    3. Limitations of the study and suggestions for future research
 
    The present study is not without its limitations. First, since it is limited to using a travel guide as the source text for university juniors in the
    translation classroom, the result cannot be generalized to other text types and other groups of translation learners with different levels of
    proficiencies, academic majors, and backgrounds. As for future research, it would be important to add translation data from Chinese to English to see if
    collaborative learning also works in that case. Furthermore, it could also be worthwhile to investigate how the role of the instructor changes if the
    collaborative learning approach is applied to different groups of learners in translation.
 
    Reference
 
    Astin, A. (1993) What Matters in College? San Francisco: Jossey-Bass.
 
    Baker, M. (1992) In Other Words. London: Routledge.
 
    Barkley, E. R., Cross, K. P., & Major, H. H. (2005) Collaborative Learning Techniques: A Handbook for College Faculty. San Francisco:
    Jossey-Bass.
 
    Barros, E. H. (2011) Collaborative learning in the translation classroom: preliminary survey results. The Journal of Specialised Translation 16,
    42-59.
 
    Fawcett, P. (1997) Translation and Language: Linguistic Theories Explained. Manchester: St. Jerome Publishing.
 
Daradoumis, T., Caballé, S., Juan, A. A. & Xhafa, F. (eds.)(2011)    Technology-Enhanced Systems and Tools for Collaborative Learning Scaffolding. Berlin, Heidelberg : Springer Berlin Heidelberg.
 
    Dybiec, J. (2008) Tourists guidebooks: Tackling cultural identities in translator training pedagogy: A Polish-Portuguese case study. 5th International Week
    of ESEC: Proceedings. Poland: Pedagogical University of Cracow.
 
    Hatim, B., & Mason, I. (1990) Discourse and the Translator. Harlow: Longman Group.
 
    Ho, G. (2004) Translating advertisements across heterogeneous cultures. The Translator10(2), 221-244.
 
    Jettmarova, Z., Piotrowska, M., & Zauberga, I. (1997) New advertising markets as target areas for translation. In M. Snell-Hornby, Z. Jettmarova, and K
    Kaindl (eds) Translation as Intercultural Communication: Selected Papers from the EST Congress, Prague 1995. Amsterdam: John Benjamins, 185-194.
 
    Király, D. C. (1995) Pathway to Translation: Pedagogy and Process. Kent, OH: Kent State University Press.
 
    ---. (2000) A Social Constructivist Approach to Translator Education. Manchester, UK: St. Jerome.
 
    Király, Donald and students in the Innovation in Translator Training Seminar (2003) Summary of discussion on collaboration, teamwork and group work.
    In Pym, A et al (eds)(2003) Innovation and e-Learning in Translation Training. Reports on Online Symposia. Tarragona: Universiitat Rovira I Virgili,
    51-57.
 
    Munday, J. (2001) Introducing Translation Studies: Theories and Applications. London: Routledge.
 
    ---. (2008) The Routledge Companion to Translation Studies. 2nd Edition. London: Routledge.
 
    Nord, C. (1997) Translating as a Purposeful Activity: Functionalist Approaches Explained. Manchester: St: Jerome.
 
    Liao, P. S. (2007) College students' translation strategy use. Studies in English Language and Literature(19), 77-88.
 
    Lörscher, W. (1992) Investigating the translation process. MetaXXXVII(3), 426-440.
 
    Roberts, T. S.
    (2005) Computer-supported Collaborative Learning in Higher Education. Idea Group Publishing.
 
    Rubens, W., Emans, B., Leinonen, T., Skarmeta, A. G., Robert-Jan Simons, R. (2005) Design of web-based collaborative learning environments. Translating the
    pedagogical learning principles to human computer interface. Computers & Education 45, 276-294.
 
Romney, C. (1996) The benefits of collaborative learning. New Currents 3.6. Access at <    http://www.ucalgary.ca/pubs/Newsletters/Currents/Vol3.6/Benefits.html
    >.
 
    ---. (1997) Collaborative learning in a translation course. The Canadian Modern Language Review 54(1), 48-67.
 
Smith, V., and Klein-Braley, C. (1997) Advertising-A five-stage strategy for translation. In M. Snell-Hornby, Z. Jettmarova, and K Kaindl (eds)    Translation as Intercultural Communication: Selected Papers from the EST Congress, Prague 1995. Amsterdam: John Benjamins, 173-184.
 
    Su-zhen, J. (2008). Skopos theory and translating strategies of cultural elements in tourism texts. Sino-US English Teaching5/9: 34-37.
 
    Wang, H. C. (2009) Design-based research on developing cooperative translation tasks. PhD Thesis, Taiwan: National Cheng Chi University.
 
    Zhao, J. H. & Akahori, K. (2001) Web-based collaborative learning methods and strategies in higher education. Proceedings of 2nd
    International Conference on Information Technology Based Higher Education and Training. Japan: Kumamoto.
 
    Yeh, C. C. (2011) Implementing a book translation project in the translation classroom. Studies of Translation and Interpretation 14, 135-168.
 
    史宗玲 (2000) How to make collaborative translation teaching better。《清雲學報》,20(1),
    193-203.
 
    賴慈芸
    (2002)〈大學部的翻譯教學:結合實習的翻譯教學計畫〉。《譯者的養成:翻譯教學、評量與批評》。台北:國立編譯館,91-116。
 |